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Finally, we had the heart and soul of the group, the man who put the Moody in Moody Blues, Mr. The deep, bass foundation of all of the group's vocal togetherness, great tunes such as "I'm Just a Singer in a Rock and Roll Band" could not sound as classic without his anchor.The next thing which attracted me to the group was, obviously, the songs.A grandiose intro, maybe a poem, a 'rocker', the main body of the album, and a closing piece to bring it all together.Now, they usually managed to throw in just enough wrinkles to keep it mildly fresh, but it nevertheless was always the 'classic' Moodies sound (note, this primarily refers to the 'core seven').If you don't believe me, suffice it to say, in addition to what has already been said, that the pitch of the sound depends on how hard you press down on the keys.And yet, Mike Pinder created crystal clear sound which lifted the band to a whole other level.First, Ray Thomas was one of a VERY select few to make extensive use of the flute in pop music.Now, he didn't use it in the Ian Anderson make-the-flute-rock-as-hard-as-the-guitars manner, but rather he used it for pure melodic beauty and to add to the grandeur of the tunes.
I spent my whole career trying to replace the mellotron ...
They had a formula, and an extremely successful one at that, and they managed to squeeze every last ounce of melodic and lyrical beauty that they could out of it, and even when the group was in its last days (before returning, of course), they still produced the goods. My thoughts mainly pertain to the question of what it is that makes this band so appealing to me and others like me and so repulsive to so many others.
I can tell you for sure that this is definitely one of those bands that falls into the "you either get it or you don't" camp, which in turn raises a question in my mind: what the heck is "it?
And he also had perhaps the finest falsetto in all of pop music for about ten years (another band trademark).
Yup, Ray might have contributed his own fair share of high falsetto harmonies, but John always sounded better at it.
With the possible exception of the Beatles, I can honestly say that no group has ever amazed and enchanted me harmony-wise than this quintet/quartet. Compare his voices on the original "Legend of a Mind" and the version from the Red Rocks concert and you will be absolutely astounded at how deep and lush his voice became in the last years of the band.